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Saturday, 21st November 2009
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Art reviews
Arts review: 183rd annual RSA exhibition/Duncan Shanks
THE National Gallery Complex, the name the NGS now uses for the buildings on the Mound, sounds like a nasty psychological condition.
Art review: The End Of The Line, Attitudes In Drawing
WHEN I first meet the artist Monika Grzymala, she's perched high on a ladder in the Fruitmarket Gallery, black tape and scissors in hand.
Art review: Paul Sandby: Picturing Britain
HISTORY is written by the victors; so too art history. In the case of artist Paul Sandby, often lauded as the father of the British landscape watercolour, the Duke of Cumberland's victory at Culloden would lead directly to a job in military map-making and, indirectly, to the birth of a new type of topographical art that would culminate in artists such as Turner.
Art reviews: RGI Annual Exhibition/John Byrne
GLASGOW is famously an egalitarian city, a place with a healthy disregard for rank and station, and something of that spirit presides in the annual show of the Royal Glasgow Institute of the Fine Arts (RGI), Glasgow's version of the RSA.
More Stories
Review: Heart of the Great Alone, The Queen's Gallery
Art reviews: A Model of Order: Concrete Poetry/David Austen
Art review: Lara Favaretto, Tramway, Glasgow
Art reviews: Bik Van der Pol/New Work Scotland
Arts review: Running Time: Artist Films In Scotland 1960 To Now
Art review: Boyle family/Kate Downie
Art review: Running Time
Art review: Bik Van der Pol
Arts review: The Heart of the Great Alone
Arts review: Modern Print Masters/Lesley Logue and Gillian Murray
Art review: Turner Prize 2009, Tate Britain
Art review: Karla Black, Modern Art Oxford
Art review: Moctezuma: Aztec Ruler | Anish Kapoor | Adrian Wiszniewski
Art review: Thomas Hirschhorn: It's Burning Everywhere
Art review: Thomas Hirschhorn, It's Burning Everywhere, Dundee Contemporary Arts
Art reviews: Cerith Wyn Evans and Throbbing Gristle | Lili Reynaud-Dewar | Alex Dordoy
Art review: Dai Nippon/The Tale of Genji
Art review: Rosalind Nashashibi
Art review: Eva Hesse
Trongate 103: Rag trade to riches
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